The cabinet card shares many features and characteristics with the carte de visite. At first, the styles of cabinet cards followed those of the carte de visite. As the popularity of the cabinet card rose, it began to dictate style to the waning carte de visite. The earliest cabinet portraits, introduced in , were a larger version of the plain Bristol board carte de visite stock with the usual gilt borders. There has not been as much research on the cabinet card styles as on the carte de visite styles, therefore they may be more difficult to assess. But like the CdV, the an approximate date for a cabinet image should be obtainable through an understanding of it’s features. Gallery operators replenished their supply of card stock about every six months and card manufacturers encouraged this demand by brining out a new line of decorative cards each year. Because of this constant change, a card mount offers the best clue to when a cabinet image was made. The styles of later cartes de visite of known date should be used as a guide to dating the cabinet card.
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Pearland was a farming town that grew various crops, such as pears, strawberries, oranges and figs. It lies within the Houston area, about 23 miles from Houston. It is also close to Galveston, TX, and in a hurricane destroyed much of the town. This storm is not to be confused with the massive one in
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In this roundup, Print breaks down the elite group of typographers who have made lasting contributions to American type. Steven Heller July 9, If ever a particular brand-name machine changed the lives of Americans, it was the Singer sewing machine. Talk about product placement in the international series, Singer machines are found in the four corners—the Zelig of machinery—representing progress and civilization at its most grand and Western.
Shown here is a portion of a larger set I recently acquired that is also in the collection of the Wisconsin Historical Society , which notes: Each card features people from a different country dressed in traditional clothing and posing with Singer sewing machines. The rich color and high level of detail in the chromolithographs make these images enduringly engaging while the accompanying text provides insight into contemporary discourses on race, ethnicity, consumerism and industrialization.
The visually rich cards draw the viewer in to read the advertisements for Singer sewing machines, which reference interwoven tropes of race, ethnicity, imperialism, and industrial progress.
You’ll also be signed up to receive e-newsletters from Antique Trader and partners. Fred Taylor May 14, Most of us who are interested in antique furniture have, at one time or another, run across what seemed liked an intractable problem at the time — the locks on an antique chest or desk. The usual approach is to either ignore the locks or take the attitude that if the key is around — great, if not, no big deal.
In fact most 18th, 19th and early 20th century American and some European locks are quite simple and easy to repair and key. Three main lock designs Cabinet and chest locks come in three major designs:
DATING CARD MOUNTED PHOTOGRAPHS © [email protected] – HOME – Comments Card mounted photographs from the 19th and early 20th century, such as cartes-de-visites, cabinet cards and stereographs can be generally dated by their format and mount type.
The style of photographic product emerging from the studios changed over the years, and is of use in helping to determine the period they were produced. This section of the site attempts to give an overview of these changes as an aid to dating them alongside the photographer’s dates. The tables below illustrate some significant forms that are commonly seen. The dates tentatively given represent a ‘core’ period.
Because of their nature, they had to be protected behind glass. This also applies to a later technology, the ambrotype. A third early process produced ferrotypes or ‘tintypes’ which were cheaper.
Evolution of the Photograph, and Photocard Design
The Wizard is simple — you just have to peruse the multiple choices and click where appropriate. How Does the Wizard Work? The majority of card mounts were produced by a limited number of stationery printers who then customised them for a particular photographer by adding name, address, patrons, medals and various other individual requirements. Therefore, a particular design of card mount used in Manchester would be used at approximately the same time in York and Brighton as well — in fact countrywide.
Many characteristics were short lived as new mount designs and features were constantly introduced by the printers to encourage photographers to buy more mounts so as to remain up to date and in fashion.
Dec 04, · the narrow end of the mounting board on the front and sometimes it is given in an elaborate fashion on the reverse of the card. These pages of the LOST GALLERY will present all of the CABINET CARDS in the collection where the photographer is known.
Edwards Collection includes 2, early baseball cards dating from to Distributed in cigarette packs, these cards were the forerunners of modern sports trading cards. They portray such legendary figures of the game as Ty Cobb stealing third base for Detroit, Tris Speaker batting for Boston, and pitcher Cy Young posing in his Cleveland uniform.
Although many of the greatest players from the first decades of professional baseball are represented, the collection does not include individual cards for either Honus Wagner or Babe Ruth. Ward, New York Giants, baseball card portrait Baseball cards were first issued during the s when tobacco companies used them to promote sales. Although they also served periodically to stiffen soft cigarette packages, advertising was their primary function, for as early as cards and cigarettes were packed in more rigid “slide and shell” boxes which had no need for reinforcement.
Two exceptions are the large format sets of Turkey Red Cabinets and Old Judge Cabinets, produced as premiums in exchange for coupons distributed in cigarette packs see information about the card sets in chronological order. Issued either as black-and-white photographs or color prints, the cards portray ballplayers both in action scenes and formal poses.
Guide to Real Photo Postcards This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. Although real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.
In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys. Though most of us today are familiar with the concept of photo grain, this is mostly because we have experienced very large prints made from small 35mm negatives.
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Printed mount notations such as photographer’s identification and title are fairly reliable, but can still provide false information. Dating by mount type and style provides a rough indicator for identifying images. The caveat is that many photographers, particularly in more remote areas, failed to keep up to photographic fashion and used old mounts until their stocks were exhausted. Also, photographers reprinted historically or commercially important images long after they were originally taken.
Also negatives were often sold or copied and the mount information may not accurately reflect the history of the images. Flanders views of Prescott taken in the Spring of appear on Williscraft mounts in the late s and Continent mounts into the mid s Notations on the mounts can occasionally provide additional information about the image, but should always be verified by other sources before being relied on.
Handwritten notations are the most suspect, often being added long after the image was made by persons with only secondary knowledge. The following information is provided to assist in verifying possible image dates using information based on the type and style of the photographic mount.
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Introduction France – Cartes de visite were patented in France by Andre Adolphe Eugine Disderi in , and became the first type of photograph to be mass-produced. They rapidly grew in popularity, with the collecting of cartes or “cartomania” reaching a peak in the s. Photograph Albums They were stored in leather albums, often with decorated pages and brass clasps.
In later years, these albums were often designed to hold both cartes de visite and a few of the larger size photos, cabinet prints.
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They are quite rare and very hard to find in such pristine condition. It still has the original patina, dark brown and copper just like the factory produced them. So many of these radios have had the patina polished away, missing the reins or the saddle. Blake has replaced all of the paper capacitors, tested and replaced bad resistors and checked all of the tubes. He performed a proper alignment, making this little five-tube, AM only radio play like new. A very cool gift for that horse lover, or man cave.
Here is another one of a kind radio design! This Abbotwares “Horse with Saddle” is seldom seen, and when found is usually missing its saddle. It came from the estate of a Doctor in Auburn, Maine, who collected only the best of each radio.
Cabinet Card Photographs
Police Contactless card fraud has overtaken cheque scams for the first time as experts warn the ‘wave and pay’ limit should not be lifted. It comes after the Bank of England’s chief cashier Victoria Cleland, she had heard instances of money being “taken off contactless when you walk past something” and does not use the cards herself. If the limit goes up, it will increase the fraud.
The only way you can tighten up [fraud] around contactless is to not increase the limit any more,” she said. But with “cash and cheques dying out,” contactless card fraud would likely increase as more were issued, she warned.
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Beginning of modern portrait photography Cabinet Card was the Most Common Family Portrait The cabinet card was made by using the same steps for creating CDVs, still exhibiting the sepia look. However, the cabinet card’s image area was more than double the CDV. It was introduced in the late s in England, but did not gain much attention in the U. While it was a bigger image than the CDV, it did not offer much of a quality difference until the mid s.
That is when the effect of new photographic papers and camera improvements really became apparent. Many cabinet card photographs from the s and s are exquisite pieces of artwork, exhibiting technical excellence and wonderful composition. This new size and improved clarity and colors provided the perfect media to showcase the grand styles of the gay nineties. Is My Image a Cabinet Card? These are just as easy to recognize as CDVs.
Though examples from the late s show a wide variety of card stock, and some variation in sizes. Cabinet Card Characteristics The cabinet card experienced many style changes and improvements during its lifetime. Dating them is quite easy.